How hard can it be ?

Many people viewing the picture of Tant Skateboard pimping her ride might think “I could have taken that”.
Tant skateboard angle grinding her skateboard at skrotcentralen
And they would be right – if the conditions had been just right the moment they passed, they could have snapped the same image as I did.
But conditions weren’t right, and as a jobbing photographer you can’t wait for conditions to be favourable, you have to make them favourable. Every time.
So in fact it took several hours to take that picture.

Let’s start by getting access to the place. Junk yards are busy workplaces with a lot of big equipment moving around in confined areas, so just wandering in to make some art isn’t going to be popular. Now the guys at SkrotCentralen are really cool and great supporters of culture, so it’s easier than most, but still I had paved the way by supplying them with free photos that I had taken at events they had organised, and got to know the boss. This wasn’t a long-term infiltration plan, I just spread seeds like that because it’s easy, costs me nothing but a very small amount of time, and makes people happy. And a very small number of those seeds flourish to be harvested later.
Otherwise getting access to industrial sites for personal projects can costs hours on the phone, trying to find the one person who is willing and able to let you in.

Behind the scenes with Tant Skateboard at SkrotCentralen, Uppsala

Once we had permission, we had to wait for good weather and at short notice find a time when we were both free. Once there, we had to find the right pile of junk, which I wanted to be ‘interesting’, sunlit since it would be too big for me to be able to light artificially, and with enough space in front for me to get separation from the model.

Then there was the lighting, which was good on the background, but the model space was in complete shadow, which meant lugging in additional lighting. I could have used small strobes on battery power but would have been struggling to match the bright sunlight, and since the angle grinder needed mains power we had to find an outlet anyway and join together a bunch of extension cords to reach our ‘studio’, so I could use big studio flashguns. The trick with mixed lighting is to complement the natural light, not fight it, which meant climbing up on the junk to get the key light in the right place to look like natural sunlight. Then I wanted some backlight and fill to avoid deep shadows.

Tant skateboard at skrotcentralen

Finally we could actually think about the images, compose the skateboard and tools, and pose the model. Then it was really easy – just press the button.

You could have taken it.

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